Once upon a time, Torsten V was a 18 year old emo kid who actually found Twilight a fascinating book with a cool story and decent characters. Back then, I only had read a couple books on my own and I was in a bad place in life and, OK, the excuses are piling up on me, aren’t they? Well, Torsten V grew up, read more books, and learned the truth about Twilight- it sucks. Twilight is the story of boring ass Bella Swan who moves to Forks, Washington to live with her dad. Forks is a small, rainy, boring town. She goes to school and there she sees the Cullens for the first time, a group of overly pretty, rich, pasty kids that are adopted siblings of the town’s Dr. She has Bio with Edward Cullen, a dude that looks at her like she hasn’t showered in week and hauls ass away from her the second the bell rings. Two days later, he talks to her and seems interested in her ordinary life. Couple days later she’s almost crushed by a skidding van (if only that’s how it woulda ended.) In a flash Edward appears and shoves the van back with ease, denting the side of it with his bare hand, disappearing into the distance again. Through her own personal investigation, Bella discovers Edward is a vampire, and how could she be safe with him- oh I forgot to mention it’s a love story.
Ok, I’m not going to 100% crap on the book. Yes- the characters are meh at best. Yes- the villain really has no meaning to the overall narrative and is more tacked on than Rhino at the end of Amazing Spider-man 2. Yes- Bella is a shallow character with no real past and willing to hurt her poor dad for a guy she met like a month prior. And YES- these novels are not particularly well written; no where 50 shades bad though. I will say the first person perspective is done believably; Bella is written to be a 17 year old girl of average intelligence, and that I can believe unlike other stories I’ve read in this perspective where the speaker and the character don’t match ( I once read a book told through the voice of a middle school drop out who reasoned shit and spoke like the bastard had a Phd. That kind of bullshit.) And debatable as it is, some of the vampire lore is interesting. I actually think it was cleaver to have there beautiful appearance aid in luring their natural prey. I like the idea of vampires building a lifestyle where they aren’t monsters and I feel like restructured it could lead to some good plot threads. As for the movie…you ever hangout with your friends, grab a pizza and some beer and watch a shitty movie for laughs? I bring you the twilight movie as a prime example. The effects suck, the acting sucks, the action at the end is just funny, but I admit the score is good. In fact the soundtrack ain’t bad, and I’m not even into that kind of music really. So did the twilight series murder vampires? Eh, it didn’t kill it but it stated the virus that did. May the gaming gods bring you glory and beware sparkly emo people…sigh.
Dracula…what can be said of the most legendary vampire and one of horror’s oldest and greatest icons that hasn’t been said? This harrowing and creepy novel has been adapted to several movies ranging from the greatness of Bela Legosi and Christopher Lee to the crap shoot that was Dracula 2000 and the awesome manga/ anime Hellsing, which kind of inspired me to write this review. The story is told through a series of letters, newspaper articles and journals either by the characters or pertaining to them in some fashion, which I thought was really cleaver for the time. For this review I’ m going to skip a direct synopsis because let’s face it, after watching several adaptations and then reading the novel, the plot seems cemented into the public’s mind one way or another: a Gothic manor in the mountains of Transylvania, an immortal bad ass rising from a coffin to do battle with men armed with torches, wooden stakes and garlic, and the names Harker, Van Hellsing, and of course Dracula feasting on the blood of the innocent. I enjoyed the book more than I thought I would have; and good news to all of the people like myself that have a hard time dealing with old English, the dialect isn’t as intense as many other books I’ve read from the time period. There are lags in the pacing but a great sense of atmosphere and tension. Dracula is far more OP than people give him credit, I mean shit dude, he can control werewolves. He’s more closer in ability to Alucard from the Hellsing manga/ anime series or the 2014 film Dracula Untold. Van Hellsing, despite what the 2004 movie with Hugh Jackman would have you believe, is not a expirenced monster-hunter but a wise physician and teacher. Still epic in his conviction and a great character. My only real issue is the ending is anticlimactic, especially after a well paced race against time, but I can let it slide. If you’re a upcoming writer like myself or want a great horror story, definitely worth a pick up…which I got to give a shout-out to my Bestie for giving me the E reader I read it on a few years back, you were amazing as always:) may the gaming gods bring you all glory and god help me for my next review, for Dracula maybe the best of vampire stories, but next I cover the worst…gulp…
I will never listen to my old droog Ludwig Van the same after this real horrorshow book and film. Whether you prefer Anthony Burgess’s telling in invented British slang or you want to get blown away by Stanley Kubrick’s trippy visuals and sound, A Clockwork Orange is a story both thought provoking, disturbing, and grim but beautiful. Clockwork is the story of a young ruffian named Alex and his band of droogs who enjoy mischief and chaos in a dystopian future Britain that thankfully never came to be. In fact, Alex is king of his own little world. His droogs follow his every whim, his parents don’t ask questions why he never goes to school, and everything he does gets a slap on the wrist. In one night they beat a homeless man, steal a car, and get into a giant gang brawl with their rival Billy-Boy, and end the night with some spiked “Milkako” (milk). But Alex isn’t just rage and the ol’ ultraviolence, his greatest love is that of Beethoven. Even when his droogs seem to want a change in the group dynamic, Alex doesn’t seem to care, he merely brings them back into line. But one night, one of their escapades goes wrong, a woman dies and Alex is left alone to suffer the consequences, betrayed by his friends. In prison, serving a twenty year sentence Alex discovers a new kind of experimental government treatment for violent criminals that will get him out in a matter of weeks. It uses a mix of violent imagery and audio to subliminal discourage acts of violence, causing feelings of intense pain. But when Beethoven is part of the program, Alex comes into a dilemia. Released back into a populace he misused, beat, and molested with no way to defend himself Alex truly learns the error of his ways as everything bites him in the ass.
So because the Savior reviewed the iconic movie adaptation of Clive Barker’s disturbing romance novella, I figured I’d cover the lesser known novella, The Hellbound Heart. In a rare instance, Barker did the novella as well as direct the film adaptation which definitely shows. Both are very similar. Frank Cotton, a discouraged sexual deviant, sits in a candle lite room and toys with the ominous Lemanchard’s Configuration (or Lament Configuration), a beautiful, ornate puzzle box that once opened will call forth the seraphic Cenobites to bring him absolution and pleasure. Little does he know how subjective pleasure can be. Frank disappears and his house back in the states goes to his brother Rory, his beautiful but cold wife Julia, and his daughter (in the book their relationship is less specific and she never really refers to him as Daddy or father but rather implied) Kirsty. Rory is a kind, boring man. Julia is a prude who fantasizes about banging Frank, and the brief affair she had right before marrying Rory, and Kirsty is a normal teen girl who loves her dad and tolerates Julia. When moving, Rory scratches himself on a nail and that little bit of blood summons the horrible remains of Frank to find Julia and our plot begins. Julia needs to bring horny men to Frank so he can slaughter them and take there flesh to recover his flesh before the Cenobites find him. Desperate for zesty love Julia obliges. Kirsty, suspecting Julia of having an affair, follows her only to find the horrible truth and comes face to face with her skinned perverted uncle Frank. She manages to escape with her life, waking in a hospital with the box. She opens its and out emerge the Cenobites, not the angels we were lead to believe but gruesome, deformed creatures lead but a tall, colorless figure with a grid craved into his face and nails dug in that would be called Pinhead by fans for decades after. The Cenobites tell Kirsty they want to show her pleasure; she barters her life if she produce Frank. They agree, only sparing her if they can punish the bastard who fled them.
Savior Gaming 