I will never look at jawas the same again…Phantasm is a cult late 70’s horror movie about a kid named Mike who saw too much. Mikes a normal kid who’s had it rough, his parents recently passed away and for now he lives with his older brother Jody, who besides dealing with his new responsibilities and the death of his parents, is dealing with a friend’s death too. Mike shadows Jody and his best friend Reggie as they attend the funeral. Suddenly Mike sees something disturbing during the funeral procession that none of the adults seem to see; the elderly undertaker lifts the casket out of the hearse and carries it under his arm like it was nothing. And he knows he was being watched. Mike tells Jody what he saw but Jody just assumes his little brother was just pulling his leg. Mike almost believes him until the nightmare, which provokes him to visit the mausoleum of the cemetery; only to be nearly killed by a mysterious blade-pronged floating orb. But even that deadly sphere is nothing compared to the Tall Man, who has it out for Mike and his family…
I fell in love with Phantasm at the tender age of 18 when I first had the pleasure of watching it. It’s not a slasher movie, or a ghost movie, or a even a creature movie. With a simple premise of a kid seeing something bizarre grown ups don’t believe, the movie blows up into a wild mix of compact inter-dimensional zombies, a killer flying ball (that has one of the greatest kills I’ve ever seen in a horror movie), other worlds, a bad ass villain whose almost immortal and immeasurably powerful, and a great ending that makes you wonder what the fuck you just watched. Angus Scrum as the Tall Man is intimidating as hell, wearing a eerie grimace as he slowly walks, rarely speaking in his deep, gruff voice. I love the keyboard score with the suburban atmosphere and the use of darkness. It may not be hugely action packed but visually it’s interesting and the plot is just strange but original. If your a horror fan in the making and your tired of the staples of conventional horror, definitely check it out. May the gaming gods bring you glory and beware the Tall Man…oh god beware the Tall Man!




People that know me best know I’m a humongous Alien fan. Aliens scared me out of bath time as a kid, and screw your boogeyman, I was afraid of a nine foot tall, drooling, acid blooded, phallic two-mouthed monster that wanted to lay eggs in my chest…also the people that know me best would tell you this explains a lot. When my dad bought me a PlayStation, I received three games with it- Tomb Raider, Spyro the Dragon, and Alien Trilogy. By today’s standards, Alien Trilogy’s graphics are complete dogshit. Watching playthroughs on YouTube, I laughed my ass off as a full fledged adult. The gameplay runs similar to classic Doom, not very original but trusty at the time. The motion tracker is a nice addition to to the HUD, even making that iconic, chilling beep when something comes at you. So what’s the story of Alien Trilogy? Well, it’s a disjointed clash of environments either from the Alien Trilogy or inspired by it, which rationally ain’t such a bad thing. Alien and Alien 3 only had one Xenomorph each and no weapons to real fight with, whereas Aliens there was a horde of the bastards and ammo aplenty; what sick bastard would want to try playing Alien: Isolation on a PlayStation graphics and mechanics? Cheat Codes were a fun addition to the game, giving you unlimited ammo, unlimited health, unlocking every level which gave us the Queen’s liar. So many memories man… what sticks out to me even a decade and a half later are the death scenes. The screen turns to a screen of running blood and every each means of demise changes the foreground: alien death- alien mauls Ripley, roaring at the screen with a bloody face. The Queen stands behind Ripley, tearing her savagely in half with it’s four arms. Trilogy is not the best but if your a huge Alien fan with a PlayStation , give it a try and may the gaming gods be with you all.
I will never listen to my old droog Ludwig Van the same after this real horrorshow book and film. Whether you prefer Anthony Burgess’s telling in invented British slang or you want to get blown away by Stanley Kubrick’s trippy visuals and sound, A Clockwork Orange is a story both thought provoking, disturbing, and grim but beautiful. Clockwork is the story of a young ruffian named Alex and his band of droogs who enjoy mischief and chaos in a dystopian future Britain that thankfully never came to be. In fact, Alex is king of his own little world. His droogs follow his every whim, his parents don’t ask questions why he never goes to school, and everything he does gets a slap on the wrist. In one night they beat a homeless man, steal a car, and get into a giant gang brawl with their rival Billy-Boy, and end the night with some spiked “Milkako” (milk). But Alex isn’t just rage and the ol’ ultraviolence, his greatest love is that of Beethoven. Even when his droogs seem to want a change in the group dynamic, Alex doesn’t seem to care, he merely brings them back into line. But one night, one of their escapades goes wrong, a woman dies and Alex is left alone to suffer the consequences, betrayed by his friends. In prison, serving a twenty year sentence Alex discovers a new kind of experimental government treatment for violent criminals that will get him out in a matter of weeks. It uses a mix of violent imagery and audio to subliminal discourage acts of violence, causing feelings of intense pain. But when Beethoven is part of the program, Alex comes into a dilemia. Released back into a populace he misused, beat, and molested with no way to defend himself Alex truly learns the error of his ways as everything bites him in the ass.

