In 2008, most of us freaked the hell out when Samuel L. Jackson uttered the phrase that orgasm-ed every nerd’s heart at the end of Iron Man: “I’m here to talk to you about the Avengers Initiative”. I myself didn’t think it would work, building up to one huge cinematic event over five movies. But in 2012 I ate my words when it worked. Marvel and Disney started the trend and now cinematic universes have either resurfaced or tried to emerge on there own, but no one has come close to Marvel’s success with the MCU. Three phases in and still kicking ass. DC attempted to sloppily rush to catch up, stumbling with the critical punching bag Batman vs Superman: Dawn of Justice that essentially tried to be a Man of Steel sequel, a stand alone batman film, a Dark Knight Returns adaptation, a Wonder Woman intro, a Death of Superman adaptation, as well introduce, Flash, Aquaman, and Cyborg while introducing the concepts of the MotherBoxes and holy shit it was bloated with not much pay off any where. Recently, Universal pictures released its latest incarnation of The Mummy specifically made to launch there updated “Dark Universe”. Well, it bombed. You see, back in grandparents day when black and white film was standard and Universal Pictures was king of the Hill, they were one of the first examples of crossing properties with movies like “Dracula versus The Wolfman” and such like it. Decades later, from what I’ve gathered, they took the classic Universal monsters and tried fitting them into an Avengers formula. So Far the Kaiju Universe has met with fair to moderate success with the 2014 Godzilla remake and Kong: Skull Island which got mixed reviews and the Godzilla sequel set for 2019 I believe; another example of another cinematic universe revived for modern times. Meanwhile Star Wars expanded their cinematic universe with the inclusion of side stories like last year’s Rogue One, which met with critical review (despite my own review); Fox released Deadpool, a spin off to the X Men Universe with critical acclaim, set to launch a possible X Force universe someday; coming this August and September are the Dark Tower film and It remakes from the mind of Stephen King, the most legendary horror writer of our time. If eyed closely, the Dark Tower books are the spoke that locks King’s universe together cleverly with easter eggs rather full on cross overs.
So what separates the unforgettables from the duds? It’s a mix of effort, material, and understanding. Marvel gets this almost perfectly. They understand their heroes, what makes them stand out, what themes surround each individual story and the importance of theme to each character, and there huge stories are told with care. I was genuinely impressed with Captain America: Cival War and how well all the characters felt relevant and there was growth in them since previous installments, they weren’t just there to be there (I’m talking to YOU D.O.J and Mummy!). I’m not entirely against the flood of universes making there way to the cinemas, I just ask they be made with love.
So, what’s you guys take on all this? Leave a comment below and may the gaming gods bring you glory.



Until Dawn did for horror gaming Cabin in the Woods did for horror movies, and that’s the best compliment I can give. Normally I’m not a fan of point and click games but when I got dropped into what at first I assumed was gong to be a rip off of Friday the 13th in video game form, much like how Cabin leads you to think it’s going to a Evil Dead clone at first glance. The story revolves around a group of College friends who traditionally meet at a cabin during holiday break. Tragedy strikes when two of there friends die in what seems to a accident after a prank gone wrong. A year later the friends meet again, there friendships strained by the tragedy. During the course of a fierce blizzard, they begin to suspect they aren’t alone up there after all…
Sinestro Corps War plays a major role to Green Lantern’s story because it ends with the shattering of the emotional spectrum and the emergance of other lights, other lanterns, and the last coming before the finality of the prophesied Blackest Night. It takes place after Parallax possessed Hal Jordan and slayed most of the Green Lantern Corps, for which the other Lanterns now fear him. The Corp is rebuilding but so is Sinestro’s with a plan to destroy them all once and for all. Using Parallax again, he uses Kyle Raynor this time, formerly the Green Lanterns last hope and bearer of their entity Ion; and using another lesser known weakness of the green power rings and there inability to use lethal force, he assembles a massive. bloody attack on the remnants of the Green Lanterns. Suddenly the mistakes of the Guardians of the universe start forming a noose around there necks as they begin to argue over the validity of the prophecy of Blackest Night as well as well as the pressure of unlocking the lethal force protocols, opening the pandoras box they had opened with the Manhunters centuries ago. Against the wishes of two of the Guardians, who see the vows they had taken to abandon emotion being used against them, they take the names of Ganthet and Sayd and reach out privately to once greatest Green Lantern Hal Jordan to warn him of the horrible times coming, urging him to pull himself together and get ready to lead the Corps and face his ultimate fears and his ultimate enemy…
“In Brightest Day and Blackest Night, no evil shall escape my sight. For those who worship evil’s might, beware my power: Green Lantern’s Light!” the green lantern oath.

So this is a weird one, friends. Lord of Flies is a book that is both strange and deep, much like Animal Farm, showcasing the the evils that can spawn in the hearts of man without the threat of society’s consequence. During the dawn of WW2, a plane full of English boys crash lands on a island in the middle of nowhere. They are the only human inhabitants. Our character is Ralph, a carefree young lad transfixed with the promise of no grown ups and a island to explore. Soon he meets Piggy, a fat, asthmatic boy in glasses who acts as a thread to rationality to the story. Together they find a conch shell in the sand; Ralph blows on it to summon the others. Others come forth, including a band of black clad choir group led by Jack Merridew. Ralph and Jack, two of the oldest, old a vote to see who leads the group. Ralph is voted chief, while Jack takes point of leading hunters for food. The goal is simple: build and maintain a fire on top of the island and survive. Ralph quickly discovers the hardships of chiefdom- the fire isn’t easy to keep up, fear spreads among the little ones of a monster that lives on the island eating the children, and ultimately his tumultuous clashing with Jack, who slowly falls into madness and overthrows Ralph by violent force.
Since I covered what I felt to be the most overrated Star Wars entry to date, I thought it would only be fitting to cover the most underrated piece of the series that sadly isn’t canon anymore. Don’t get me wrong, I hold no ill will towards the canon series; I enjoy that a lot too. But the first series came to me at a time when I was beginning to discover anime. The animation style feels very reminiscent of Samurai Jack, and though only 25 episodes, most of which are only 5 minutes long, they’ve stuck with me more 12 years after the fact with there unique blend of quick storytelling and anime influences.